H.P. Lovecraft was an influential science fiction/fantasy and horror author in the early 20th century United States. His popularity has been on the rise for some time now, with his work and ideas featured in everything from board games to TV shows. My morning walk to the office in Providence passes though H.P. Lovecraft square, and monuments to him litter the East Side of Providence where he lived.
Lovecraft was also a massive and unapologetic racist. And his racism was not somehow an incidental and unrelated aspect of his persona, it was central to the themes of his work: xenophobia, fear of the unknowable other, threats to civilized men lurking at the edges of the Earth, and so on. Recognition of Lovecraft’s racism has led to two interesting and parallel kinds of reevaluations: on one hand, trying to remove him from a pedestal like a Confederate monuments (e.g. in 2015 the World Fantasy Award was changed to no longer resemble Lovecraft) and, on the other, producing a set of modern “Lovecraftian” works that explicitly reject his racism and xenophobia and re-read his works in that light. Two notable projects are Matt Ruff’s Lovecraft Country, a book and then TV show that offers a kind “Get Out” rereading of Lovecraft where the real horror is racist white people, and Ruthanna Emrys’ Innsmouth Legacy series, so far containing a pair of novels that reimagines a classic Lovecraft story by connecting it to the internment of Japanese Americans in WWII and retelling that story from the perspective of the marginalized racial others whom Lovecraft so feared.
What I want to do in the rest of this post is, in that spirit, offer a re-reading of a fairly popular Lovecraft quote (from the opening “The Call of Cthulhu”) through the lens of Du Bois’s understanding of the veil to make sense of a recurrent dynamic in discussions of American history. First, here’s the quote:
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